Titlebook: Essays on James Clarence Mangan; The Man in the Cloak Sinéad Sturgeon Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limi

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,‘[M]y mind is destroying me’: Consciousness, ‘Psychological Narrative’, and Supernaturalist Modes il hypochondriasis’, Mangan commented, ‘Whence it originated we ourself can hazard no conjecture; for who shall fathom the abysses of the human mind?’ (.5, p. 309). Who indeed? But many artists have tried, not least Mangan himself. The imaginative bathyspheres he built to ‘fathom the abysses’ include

epicardium

,The Spiritual ‘Vastation’ of James Clarence Mangan,efer being a great necromancer to being a great writer’ (.5, p. 274). Mangan’s fascination with the supernatural and, in particular, with the figure of the magician, has been well acknowledged. David Lloyd, for example, has argued that Mangan’s predilection for the paranormal is part of the latter’s

Guaff豪情痛饮

Unauthorized Mangan,, with some revisions, 130 German translations that he had previously published in the . At the time of his death four years later, the rest of Mangan’s vast output of close to 1,000 poems remained scattered in periodicals or in anthologies edited by others. Unlike the two major Irish poets that boo

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Mangan in England,aught and the poetry explores odd themes in even odder forms, with historical figures and introspective speakers jostling with arcane knowledge and obscure European poetic precedent. The work is liberal leaning to radical, exploring heterodox views while still remaining broadly Christian. Using pros

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Book 2014This is the first collection of essays to focus on the extraordinary literary achievement of James Clarence Mangan (1803-1849), increasingly recognized as one of the most important Irish writers of the nineteenth century. It features contributions by acclaimed contemporary writers including Paul Muldoon and Ciaran Carson.

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Palgrave Macmillan, a division of Macmillan Publishers Limited 2014