Titlebook: Essays on James Clarence Mangan; The Man in the Cloak Sinéad Sturgeon Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limi

Charitable

dry-eye

Color Atlas of Spinal Cord Surgeryk-end the nineteenth century — Thomas Moore and W. B. Yeats — it seems that Mangan had neither the will nor the opportunity to ‘collect’ himself, to present an authorial identity that would be orderly, unified, permanent.

Ointment

surmount

Priapism

Introduction, Cloak’. From then on, the phrase became one of the Irish writer’s favourite ., augmenting both a lifelong obsession with the veiling of identity and — since to conceal one’s identity is also to complicate and intensify it — the conviction that the self is at once hidden, unstable, and multifarious.

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Crossing Over,requent misgivings about the achievement of the poetry I was reading, misgivings amplified by the widespread assumption that few of Mangan’s poems were worth critical consideration any more, the work refused to let me go. It was as if, from beyond the grave, the poet compelled attention. Fantastical

Harness

Mitigate

,‘Antiquity and Futurity’ in the Writings of James Clarence Mangan,fully treated him as a man out of time, living in the nineteenth century but existing in, or haunted by, ancient Ireland. This aspect of his affect has been a consistent theme in descriptions of him — fifty-five years after Mangan’s death, James Joyce remarked that Mangan had appeared as if doing ‘p

Chivalrous

,Cosmopolitan Form: Mangan’s Anthologies and the Critique of ,ta from the ‘Cyclops’ or ‘Ithaca’ episodes of ., or a draft of some of Flann O’Brien’s more caustic comic writing. The bloviations would be at home in the Citizen’s mouth, while the dizzying scale of global references would sit comfortably among the answers to the catechist’s questions in ‘Ithaca’,

Leisureliness