Titlebook: Entertainment Values; How do we Assess Ent Stephen Harrington Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Video Games.Te

CUMB

低位的人或事

Spoof Videos: Entertainment and Alternative Memory in China,n as a repository of unofficial memory in the PRC, and are therefore politically dissident. The chapter starts with a review on the relationship between memory and power, and the changes that Internet as a mnemonic system has brought to their configuration before turning to memory policy in contempo

CHART

,Decoding Memes: Barthes’ Punctum, Feminist Standpoint Theory, and the Political Significance of #Yed enliven Twitter hashtags. It argues that people encode themselves – their race, class, gender, sexuality, and ability – into the digitally mediated content they create, circulate, and transform. Even memetic engagement that is ‘merely’ entertaining must be understood in political terms; regardless

睨视

圣人

Fluff, Frivolity, and the Fabulous Samantha Jones: Representations of Public Relations in Entertainyears. It functions primarily to manage information, image, and stakeholder relationships; however, PR is a discreet occupation that largely operates out of the public eye and is often considered most successful when it is ‘invisible’. In this chapter, using . as a case study, we argue fictional ent

fluoroscopy

Digitalis

To Understand the Futures of Film-going, We Must Know Its Histories,r Hollywood entertainment by tracing multiple histories of exhibition and reception. The first history describes the ways that film exhibition has always existed in relation to other kinds of entertainment experiences, many of which offered some form of immersion. The second history explores the var

ETCH

https://doi.org/10.1007/978-0-387-76397-2n franchises. I therefore argue that toyetic properties are important forerunners of convergent media and that what we are seeing now is actually better understood as . – where a text’s origins are erased altogether.

refine

Adj异类的

From , to ,: The Cultural Value of Merchandising,n franchises. I therefore argue that toyetic properties are important forerunners of convergent media and that what we are seeing now is actually better understood as . – where a text’s origins are erased altogether.