Titlebook: Entertainment Values; How do we Assess Ent Stephen Harrington Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Video Games.Te

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Palgrave Entertainment Industrieshttp://image.papertrans.cn/e/image/311622.jpg

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Schlussbemerkung und kritischer Ausblick,usands of people. Yet entertainment has too often been dismissed with surprising ease within the academy, and seen as unworthy of serious analysis. This chapter sets out to explain how entertainment differs from other types of culture, why it is a useful term for defining domain of study, the limita

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https://doi.org/10.1007/978-3-322-81676-4nment industry, a definition of the term is required. Collis draws on her research with entertainment industry professionals to determine the industry definition of ‘entertainment’. From an entertainment industry perspective, entertainment is defined and characterised by its audience-centred, commer

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https://doi.org/10.1007/978-0-387-76397-2y mapping their development through a specific case study, Disney/Pixar’s . trilogy. Merchandising is now regularly used to extend and enrich narratives, to personalise media properties, increase the cultural circulation (or shelf-life) of properties and occasionally even enable them to jump media p

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Sergio W. Larach,Beatriz Martín-Péreze in the popularity of the coaster. Research has attempted to account for this explosive international growth in many ways, but relatively little has been considered about the deeper experiential appeal of these seemingly mindless devices. Anderson and Burt address this deficit by examining how the

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Diagnosis of Hemorrhoids and ODS, its citizens healthier, especially, regarding preventable diseases. Yet, people do not take advantage of them, nor has society figured out the magic formula to effectively communicate health messages to its citizens. This chapter examines the impact of ‘health edu-tainment,’ which is programming an

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Transarterial Chemoembolization (TACE)through the ways it is formally sanctioned and informally produced; speaks to gender identity and relations; and is interacted with, shared and transcoded by teenage women as they go about their daily lives. Social media was selected as a key resource for data collection and analysis because a numbe

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https://doi.org/10.1057/9780230113589mes and other digital tools mediate their practices. The research focuses on the interaction between the private and public lives of a group of teenagers, 12 girls and 6 boys aged 16 to 18, in the process of building their identities when they use social media and play commercial videogames. Partici

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https://doi.org/10.1007/978-3-031-65232-5promote Indigenous performers. It focuses on mainstream music in Australia, and the extent to which Indigenous pop stars have gained global popularity and recognition. King’s analysis of the history of Indigenous popular music shows how individual performers and performances are a useful means for m