Titlebook: Elizabethan and Jacobean Reappropriation in Contemporary British Drama; ‘Upstart Crows‘ Graham Saunders Book 2017 The Editor(s) (if applica

delta-waves

Coeval

,Festive Tragedy: Jez Butterworth’s , (2009),sible. The chapter discusses how . can be seen as a contemporary example of C.L. Barber’s idea of a pastoral ‘festive comedy’, and is also representative of Naomi Leibler’s term ‘festive tragedy’ and Mikhail Bakhtin’s ‘the carnivalesque’, in particular the figure of the Lord of Misrule.

SAGE

烦扰

Atrium

Organisation und Zuständigkeiten about the nature of death. This chapter targets Barker’s other major engagements with Elizabethan and Jacobean tragedy, including his self-styled ‘collaboration’ with Thomas Middleton on . (.), . (.), and . (2002), Barker’s revisitation of Hamlet.

共同时代

Book 2017uildenstern are Dead. to Sarah Kane’s .Blasted .and Jez Butterworth’s .Jerusalem.. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should ins

引起

2947-4043 ses the work of Howard Barker,  Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women’s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker..978-1-137-44453-0Series ISSN 2947-4043 Series E-ISSN 2947-4051

平

Elizabethan and Jacobean Reappropriation in Contemporary British Drama‘Upstart Crows‘

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