| 书目名称 | Elizabethan and Jacobean Reappropriation in Contemporary British Drama | | 副标题 | ‘Upstart Crows‘ | | 编辑 | Graham Saunders | | 视频video | | | 概述 | Argues that contemporary playwrights‘ responses to Elizabethan and Jacobean drama should be considered appropriation rather than adaptation.Explores a range of derivative works, from Tom Stoppard‘s Ro | | 丛书名称 | Adaptation in Theatre and Performance | | 图书封面 |  | | 描述 | This book examines British playwrights‘ responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard‘s .Rosencrantz and Guildenstern are Dead. to Sarah Kane’s .Blasted .and Jez Butterworth’s .Jerusalem.. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare’s legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women’s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker.. | | 出版日期 | Book 2017 | | 关键词 | Shakespeare; Contemporary Theatre; Tom Stoppard; Sarah Kane; Adaptation | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-44453-0 | | isbn_ebook | 978-1-137-44453-0Series ISSN 2947-4043 Series E-ISSN 2947-4051 | | issn_series | 2947-4043 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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发表于 2025-3-21 16:04:33
