Titlebook: Virginia Woolf; Interpreting the Mod James M. Haule,J. H. Stape Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 20

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Book 2002, diary, letter, biography. It describes a variety of editorial practices and deals with current theories informing the critical editing of the prose of this singular twentieth-century woman writer. This collections of essays by distinguished scholar-critics of Virginia Woof confronts a number of co

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The Changing Shape(s) of , and the Myth of Authorial Control,ision have evoked serious scholarly interest; and although not excessively complex compared to some modernist writers, Joyce or Conrad, say, Woolf’s textual situations have garnered increasingly sophisticated comment.

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The Archive, Assemblage and Archaeology,tige, status, and authority. Indeed, “editing” is now applied to such a wide variety of situations and is so elastically defined that it might be helpful to review briefly the conceptions of it now current.

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e: fiction, diary, letter, biography. It describes a variety of editorial practices and deals with current theories informing the critical editing of the prose of this singular twentieth-century woman writer. This collections of essays by distinguished scholar-critics of Virginia Woof confronts a nu

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Introduction: Editing and Interpreting the Texts of Virginia Woolf,etheless in a state of ferment driven by commercial pressures, technological change, and debates in literary and cultural studies. The problem of definition is not merely an academic exercise in taxonomy but impinges on the way texts are circulated, marketed, and read, and involves questions of pres