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Titlebook: Virginia Woolf; Interpreting the Mod James M. Haule,J. H. Stape Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 20

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发表于 2025-3-21 17:24:49 | 显示全部楼层 |阅读模式
书目名称Virginia Woolf
副标题Interpreting the Mod
编辑James M. Haule,J. H. Stape
视频video
图书封面Titlebook: Virginia Woolf; Interpreting the Mod James M. Haule,J. H. Stape Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 20
描述This volume covers a wide range of editorial confrontations with Virginia Woolf‘s writings, touching on almost every genre in which she wrote: fiction, diary, letter, biography. It describes a variety of editorial practices and deals with current theories informing the critical editing of the prose of this singular twentieth-century woman writer. This collections of essays by distinguished scholar-critics of Virginia Woof confronts a number of contemporary issues in critical editing: the use of pre-print materials, authorial revision, the collation of historical texts; and it engages in a lively discussion of the present-day editorial apparatus, tackling questions on annotation and paratext. The volume is essential reading for anyone seriously interested in the critical editing of Modernist writing or in the ways in which Woolf‘s canon has been and is being preserved for her present and future readers.
出版日期Book 2002
关键词fiction; novel; Paratext; prose; Virginia Woolf; Woolf; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230523326
isbn_ebook978-0-230-52332-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2002
The information of publication is updating

书目名称Virginia Woolf影响因子(影响力)




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书目名称Virginia Woolf年度引用




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书目名称Virginia Woolf读者反馈学科排名




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发表于 2025-3-21 23:43:17 | 显示全部楼层
,The Alfa and the ,: Transcribing Virginia Woolf’s Manuscripts,. ..
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,Editing Virginia Woolf’s Diary,balanced picture of his wife, since it concentrates on a limited aspect of her personality and, although it reveals a moving and absorbing self-portrait of a true artist at work, its publication probably did a good deal to create or reinforce that popular journalistic image of Virginia Woolf, the mo
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Book 2002ly discussion of the present-day editorial apparatus, tackling questions on annotation and paratext. The volume is essential reading for anyone seriously interested in the critical editing of Modernist writing or in the ways in which Woolf‘s canon has been and is being preserved for her present and future readers.
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The Editor as Ethicist,ng agreed to publish a complete edition, did we omit certain lines and letters? The answers to these questions arise partly from existing principles – some explicit, some assumed, some unexamined until now – but also, inextricably, from the experiences, perceptions, and values of the people involved with the project.
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