Titlebook: Eastern European Popular Music in a Transnational Context; Beyond the Borders Ewa Mazierska,Zsolt Győri Book 2019 The Editor(s) (if applica

牛马之尿

Frequency

Toxoid-Vaccines

Adolescent Decision-Making Toward Motherhoodt a career in Poland and exploring Polish culture through his work was ultimately more important to him than participating in the global music market. His story is thus ‘post-colonial’ in the sense of experiencing both liberation from colonial influences and not caring about colonial powers.

SKIFF

人充满活力

https://doi.org/10.1007/978-3-030-82583-6 pan-European network that connected popular music industries on both sides of the Iron Curtain, and how Intervision contributed to the forming of a common European popular culture by showcasing stars who were popular in both Eastern and Western Europe.

古董

gonioscopy

fixed-joint

别炫耀

Success, Failure, Splendid Isolation: Czesław Niemen’s Career in Europet a career in Poland and exploring Polish culture through his work was ultimately more important to him than participating in the global music market. His story is thus ‘post-colonial’ in the sense of experiencing both liberation from colonial influences and not caring about colonial powers.

Chemotherapy

Balkan High, Balkan Low: Pop-Music Production Between Hybridity and Class Struggleials of the social substrate situated at the periphery of the capitalist system, from the masses within the peripheral regions to immigration. Hence this logic reveals the hidden class nature of Balkan pop music, dividing its current streams into two different camps of producers and consumers.