Titlebook: Eastern European Popular Music in a Transnational Context; Beyond the Borders Ewa Mazierska,Zsolt Győri Book 2019 The Editor(s) (if applica

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Celine A. Saulnier,Cheryl Klaimanaternalist public sphere and, on the other hand, the increasing commercialisation of the festival. As a consequence, Hungarian bands and participants alike felt excluded at the event which re-branded itself for the affluent European middle class and integrated the cult of youth into its cosmopolitan image.

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Ewa Mazierska,Zsolt GyőriExamines a previously under-researched area of popular music and Eastern European studies.Written by authors with a local knowledge.Covers production and consumption of popular music, including music

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978-3-030-17036-3The Editor(s) (if applicable) and The Author(s) 2019

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https://doi.org/10.1007/978-1-4613-8682-7ll attention to the asymmetrical influences between Western and Eastern European music industries and the latter’s peripheral status during the state socialist and postcommunist periods. In addition to superior symbolic value associated with Anglo-American popular music (mainly pop-rock) another ove