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Titlebook: Early British Animation; From Page and Stage Malcolm Cook Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Animation.early c

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发表于 2025-3-21 19:00:44 | 显示全部楼层 |阅读模式
书目名称Early British Animation
副标题From Page and Stage
编辑Malcolm Cook
视频video
概述Runner-up of the 2018-2019 Norman McLaren/Evelyn Lambart Award for Best Scholarly Book in Animation.The first monograph dedicated to early British animation.Presents exhaustive archival research and c
图书封面Titlebook: Early British Animation; From Page and Stage  Malcolm Cook Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Animation.early c
描述This book is the first history of British animated cartoons, from the earliest period of cinema in the 1890s up to the late 1920s. In this period cartoonists and performers from earlier traditions of print and stage entertainment came to film to expand their artistic practice, bringing with them a range of techniques and ideas that shaped the development of British animation. These were commercial rather than avant-garde artists, but they nevertheless saw the new medium of cinema as offering the potential to engage with modern concerns of the early 20th century, be it the political and human turmoil of the First World War or new freedoms of the 1920s. Cook’s examination and reassessment of these films and their histories reveals their close attention and play with the way audiences saw the world. As such, this book offers new insight into the changing understanding of vision at that time as Britain’s place in the world was reshaped in the early 20th century.   .
出版日期Book 2018
关键词Animation; early cinema; cartooning; artists‘ film; artist film; visual perception; modernity; primitivism;
版次1
doihttps://doi.org/10.1007/978-3-319-73429-3
isbn_softcover978-3-030-08787-6
isbn_ebook978-3-319-73429-3
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
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发表于 2025-3-21 20:55:19 | 显示全部楼层
sment of these films and their histories reveals their close attention and play with the way audiences saw the world. As such, this book offers new insight into the changing understanding of vision at that time as Britain’s place in the world was reshaped in the early 20th century.   .978-3-030-08787-6978-3-319-73429-3
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https://doi.org/10.1007/978-3-030-05995-8 while the audience marvelled at their skill and tried to anticipate what was being drawn. Popular in British music halls from the 1870s, this act would be crucial to animated cartoons at both institutional and aesthetic levels, providing personnel and establishing artistic patterns. The act is exam
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Early lightning cartoon films adopted a non-narrative, spectacular mode of address that supports Gunning’s ‘cinema of attractions’ account. Yet a close analysis of Walter Booth’s . (1907) using contemporary neuroscience demonstrates how the lightning cartoon was concerned with biologically hard-wire
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