Titlebook: Early British Animation; From Page and Stage Malcolm Cook Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Animation.early c

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Malcolm CookRunner-up of the 2018-2019 Norman McLaren/Evelyn Lambart Award for Best Scholarly Book in Animation.The first monograph dedicated to early British animation.Presents exhaustive archival research and c

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https://doi.org/10.1007/978-3-319-73429-3Animation; early cinema; cartooning; artists‘ film; artist film; visual perception; modernity; primitivism;

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Introduction: Early British Animation,Existing sources on this topic are reviewed and new archival resources are highlighted, which allow a reassessment of this neglected field. The question of defining animation and its relationship to production techniques is discussed, leading to a new historiographic model for writing animation history.

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Conclusion: British Animation, Talkies and the Cinematograph Films Act 1927,legislative and technological changes, but it was significantly constricted and animators turned in new directions and to new sources of income that mark a decisive shift from the trajectory examined in this book.

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The International Thought of Martin Wightted cartoons in Britain, but it also allowed American film interests to become dominant in the British market, and in turn established the aesthetic criteria by which British animated cartoons were judged. The intermedial qualities of British cartoons were denigrated at that time and by later historians, a position that is reassessed here.

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