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Titlebook: Dramaturgy of the Real on the World Stage; Carol Martin (Senior Fulbright Specialist, and an Book 2010 Palgrave Macmillan, a division of

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Robert D. O’Neill,Marianne Fillenzothes of a local sheikh and led a donkey loaded with 400 kilograms of TNT up to the headquarters of the Israeli military governor in Hasbayya. After passing three barricades controlled by the South Lebanon Army, he reached his target, detonated the bomb, and exploded himself and the donkey along with it.
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The Role of CTGF in Diabetic Retinopathyns of “the first time” something happened or by naming recent acquaintances in show biz — and the actions of the present. The production’s subtitle alone is an oxymoron in its self-proclamation: a “nonfiction play.”
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Excerpts From the Plays of Vivi Tellas I deal with the relationship between cars and people, with two instructors from the main driving school in Buenos Aires and the only employee in the entire school, a woman, who doesn’t know how to drive.
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Post-1990s Verbatim Theatre in South Africa: Exploring an African Concept of “Truth”hip between traumatic lived experience and the fictional space of theatre that can offer an alternative reality in a safe space (Martin 2006:10). Within the context of these debates about the uses of personal narratives in particular social and political contexts, I want to explore the unique circum
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Reality From the Bottom Up: Documentary Theatre in Polandroductions of the High-Speed Urban Theatre (Szybki Teatr Miejski), the works of Pawel Demirski, Cesary Harasimowicz’s play . (., 2000), Marek Pruchniewski’s . (., 2003), and Andrzej Stasiuk’s . (., 2005). Noteworthy productions based strictly on the verbatim method include . (2003), directed by Jan
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