Titlebook: Dramaturgy of the Real on the World Stage; Carol Martin (Senior Fulbright Specialist, and an Book 2010 Palgrave Macmillan, a division of

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并入

不要严酷

Forehead-Lift

Post-1990s Verbatim Theatre in South Africa: Exploring an African Concept of “Truth”proliferation of personal narratives in the media and print journalism suggests an overwhelming interest in people’s personal stories. Much has been surmised about the problems with and reasons for this fascination with personal narratives (Martin 2006:9–15). Stephen Bottom suggests that “a compulsi

jagged

Minuet

Minuet

REwind: A Cantata going back is a doubling back. To rewind: a spool of film, a thread of tape, a sound of a story. But we can’t say where what is seen, or heard, or happened starts or finishes, or when. “It has already begun and so already finished beginning”;. it is always ‘already there’ and always ‘not yet’..

defeatist

Is.Man is a story on a social theme, but it is not the result of a mere addition of facts and figures updated daily by the media. ., a form of collectively condoned violence, became the focal point of . while Adelheid Roosen was meeting a convicted killer, whose real identity is not given in the play. Mur

上坡

尊严

The Filesowards the back of the stage. The four chairs are inscribed with the names Nana, Hercules, Adam, and Judas, which later will be crossed out with the real names of the actors: Ewa, Marcin, Adam, Tadeusz. The softly lit space feels intimate and safe and the actors are within the reach of the audience.