| 书目名称 | Displacing Caravaggio | | 副标题 | Art, Media, and Huma | | 编辑 | Francesco Zucconi | | 视频video | | | 概述 | Translated by Zakiya Hanafi.Marks the first book to offer an archeology of “humanitarian visual culture”.Challenges readers to reconsider the relationship between the representation of suffering in th | | 图书封面 |  | | 描述 | This book takes its start from a series of attempts to use Caravaggio’s works for contemporary humanitarian communications. How did his .Sleeping Cupid. (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why was his painting .The Seven Works of Mercy. (1607) requested for display at a number of humanitarian public events? After critical reflection on these significant transfers of Caravaggio’s work, Francesco Zucconi takes Baroque art as a point of departure to guide readers through some of the most haunting and compelling images of our time. Each chapter analyzes a different form of media and explores a problem that ties together art history and humanitarian communications: from Caravaggio’s attempt to represent life itself as a subject of painting to the way bodies and emotions are presented in NGO campaigns. What emerges from this probing inquiry at the intersection of art theory, media studies and political philosophy is an original critical path in humanitarian visual culture. . | | 出版日期 | Book 2018 | | 关键词 | Baroque; art; humanitarian; bodies; philosophy; visual; suffering; displacement | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-93378-8 | | isbn_softcover | 978-3-030-06649-9 | | isbn_ebook | 978-3-319-93378-8 | | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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发表于 2025-3-21 17:00:23
