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Titlebook: Displacing Caravaggio; Art, Media, and Huma Francesco Zucconi Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Baroque.art.hu

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楼主: Cataplexy
发表于 2025-3-23 11:26:24 | 显示全部楼层
Endocannabinoids and Their Synthetic Analogsmmunications. The chapter examines the potentialities and limits of efforts by scholars, exhibitions, and communications to engage the history of art with current events in the news and on the world geographic and political scene.
发表于 2025-3-23 13:53:58 | 显示全部楼层
e relationship between the representation of suffering in thThis book takes its start from a series of attempts to use Caravaggio’s works for contemporary humanitarian communications. How did his .Sleeping Cupid. (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant cri
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Cannabinoid Receptor Genetics and Evolutione devices facilitate spectators in developing a “witnessing gaze”? Under what conditions does the gesture of putting on a VR headset, conveniently in one’s own home, take on an ethical and political value in the face of catastrophic events that devastate entire populations around the world?
发表于 2025-3-24 06:59:23 | 显示全部楼层
On the Limits of the Virtual Humanitarian Experience,e devices facilitate spectators in developing a “witnessing gaze”? Under what conditions does the gesture of putting on a VR headset, conveniently in one’s own home, take on an ethical and political value in the face of catastrophic events that devastate entire populations around the world?
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Ulrich Welsch,Akira Chiba,Yoshiharu Honma the most important changes that influenced the iconography of the works of mercy between the twelfth and seventeenth centuries, it highlights how the types of assistance depicted as part of this theme provide an effective typology for describing and understanding humanitarian communications. The th
发表于 2025-3-24 21:47:04 | 显示全部楼层
Sachin Patel,Cecilia J. Hillardaravaggio’s works—particularly focusing on the surfaces of bodies, on the skin. This question is then used as a key to understand some longstanding rhetorical devices underlying humanitarian photography. An analysis of a few famous shots and of some lesser-known and less widely circulated images off
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Maurice R. Elphick,Michaela Egertovácatastrophic circumstances and the . of the representative models through which suffering and precariousness have taken form in the West over the course of centuries. Humanitarian communications, it is shown, can be conceived of and investigated as a form of “secularization” of Christian iconography
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