Titlebook: Decadence, Degeneration, and the End; Studies in the Europ Marja Härmänmaa (senior lecturer in Italian),Chris Book 2014 Marja Härmänmaa and

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Decadence and Regeneration: Oscar Wilde’s Fairy Tales as a Tool for Social Changeuirks was doubtless Wilde’s favorite endeavor each time he sat down to write and, as an artist who was determined to subvert Victorian society’s dominant message of submission to codes and appearances, he sought to use the genre of the fairy tale to infuse the world of the marvelous with certain ele

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Consuming and Consumed: Woman as , in Eugène Grasset’s ,rkets, the Swiss-born Grasset combined many of the dominant stylistic languages of his era—medievalism, Japonism, and above all, an overarching program of ornamentalism—to impressively diverse and often quotidian, instrumentalized means and ends.. The enormously productive Grasset tried his hand at

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Mariia Iakunchikova and the Roots of Decadence in Late-Nineteenth-Century Russian Modernismpinion of Decadence and was determined to fight any strains of it appearing in her art. Nonetheless, upon exhibiting her works in Russia she found herself accused of Decadence—a nebulous term even at its place of origin—which indicates the tenuousness of her definition of it, as well as that of Russ

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