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Titlebook: Decadence, Degeneration, and the End; Studies in the Europ Marja Härmänmaa (senior lecturer in Italian),Chris Book 2014 Marja Härmänmaa and

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https://doi.org/10.1007/978-3-642-91748-6.. Although almost forgotten today, in the period prior to World War One, Cottet’s works were prominent in public exhibitions; they received enthusiastic critical attention and were avidly collected.. Many critics noted that his focus on rural life, rooted in the specifics of Breton coastal culture,
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https://doi.org/10.1007/978-3-642-74107-4In 1894, The Bodley Head of John Lane and Elkin-Mathews in London, and Copeland and Day in Boston published the first English edition of Oscar Wilde’s play ., accompanied by illustrations by Aubrey Beardsley.. The . described it as “a book for the strong-minded alone, for it is terrible in its weirdness and suggestions of horror and wickedness.”.
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“For the Strong-Minded Alone”: Evolution, Female Atavism, and Degeneration in Aubrey Beardsley’s In 1894, The Bodley Head of John Lane and Elkin-Mathews in London, and Copeland and Day in Boston published the first English edition of Oscar Wilde’s play ., accompanied by illustrations by Aubrey Beardsley.. The . described it as “a book for the strong-minded alone, for it is terrible in its weirdness and suggestions of horror and wickedness.”.
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Book 2014Art and literature during the European fin-de-siècle period often manifested themes of degeneration and decay, both of bodies and civilizations, as well as illness, bizarre sexuality, and general morbidity. This collection explores these topics in relation to artists and writers as diverse as Oscar Wilde, August Strindberg, and Aubrey Beardsley.
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Introductionn scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression s
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