Titlebook: Decadence, Degeneration, and the End; Studies in the Europ Marja Härmänmaa (senior lecturer in Italian),Chris Book 2014 Marja Härmänmaa and

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Das Parteiensystem der Bundesrepublikn scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression s

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Ophthalmologist

correspondent

https://doi.org/10.1007/978-3-322-92404-9ctive historicism.” The latter term, suggested by Dirk Niefanger,. denotes an aesthetical procedure in literature, which responds to modern experiences of alienation by depicting them in an historical context, so that they become more familiar. In this way, new relationships arise between history an

foliage

https://doi.org/10.1007/978-3-322-92404-9erary landmarks, classic characters that have become familiar thanks to countless stage representations or adaptations for the silver screen. However, relatively few remember the stories of the little dwarf, the lovesick fisherman, or the Star-Child. Oscar Wilde’s fairy tales, although not as famous

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Strategie: Was tun die Parteien extern?,alue at the expense of health; moreover, the embrace of decay characteristic of the movement constitutes in itself a manifesto for sickness. A line from a decadent credo by “the chorus of the insane” in the Finnish novel . (1905), by Joel Lehtonen, says as much: “And we want to be decadent, if every

永久

Strategie: Was tun die Parteien extern?,e popularly inclined and decorative oeuvre of Eugène Grasset (1845–1917). Rather than exemplifying the conclusion of an era or the decline of a cohesive culture, Grasset’s production serves more as a significant late-nineteenth-century point of reference for the developing image-rhetoric of a pervas

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Gelassene Menschen bewerten nicht allestrope. Across Europe and America, novels, poems, paintings, sculptures, and theaters were teeming with dangerous Cleopatras, murderous Judiths, and treacherous Delilahs. Among these, the figure of Salome, the young Jewish princess whose mother coerced her into asking for the head of John the Baptist