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Titlebook: D.H.Lawrence and the Idea of the Novel; John Worthen Book 1979 Palgrave Macmillan, a division of Macmillan Publishers Limited 1979 David H

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The Premises of an Uninterrupted Discoursea writer is a matter of choice, of situation, of need and compulsion, rather than of destiny. The psychology of a writer is only one element among many; his background, upbringing and early experience of the world can help us to understand those choices, such needs and compulsions.
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https://doi.org/10.1007/978-1-349-03322-5David Herbert Lawrence; fiction; history of literature; literature; novel; twentieth century
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The White Peacock,a writer is a matter of choice, of situation, of need and compulsion, rather than of destiny. The psychology of a writer is only one element among many; his background, upbringing and early experience of the world can help us to understand those choices, such needs and compulsions.
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Women in Love,s’ passports arrived, he also heard that Methuen had surrendered to the police all unsold and unbound copies of ., had recalled all unsold copies from the bookshops, and would be facing charges of publishing an obscene book. The news must have come with depressing aptness; just as he was deciding no
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The Lost Girl,n that in the case of the first two, though the family and household are identical to those described in the first part of ., the actual treatment, the tone, everything but the bare outline of Lawrence’s borrowing from the real-life Cullen family of Eastwood, are quite different.
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,Aaron’s Rod, checkweighman and secretary of his local Union branch; but he finally accepts the role of follower in a relationship which seems to have no existence in society at all. All these progressions give . its structure; it is a novel concerned to move its hero (and us) through a sequence of ideas and sig
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