Titlebook: D.H.Lawrence and the Idea of the Novel; John Worthen Book 1979 Palgrave Macmillan, a division of Macmillan Publishers Limited 1979 David H

FLAGR

Self-education and Autonomy of Producersrhaps the worst novel Lawrence wrote, it is all the same a remarkably revealing book. It shows us the kind of novelist Lawrence was between 1910 and 1912, and could have gone on being. And we cannot simply dismiss it as youthful or immature. Its composition was curiously intertwined with that of .—t

壮观的游行

NAG

事情

myalgia

Gramsci, Hegemony and Post-Marxismenty years has assumed that it was started in 1913; those making this assumption have included Cavitch, Daleski, Delavenay, Hough, Kermode, Leavis, Miko, Moore, Moynahan, Niven, Pritchard, Sanders, Sagar, Schorer, Roberts and Tedlock—as comprehensive a list of Lawrence scholars as one could find. Th

inspired

dry-eye

Root494

,Philosophie des tätigen Lebens,r source of his income. So we find him in Australia during July 1922 writing to his American publisher Seltzer: ‘Depressing to have such petty sales always.—I must come to America & try & do a novel there, that’s all’ (18 vii 1922). By 1922 he had suspected for years that his publishing future, so f

abysmal

Chr. Flytzanis,G. M. Gale,M. L. Geirnaerts it goes along. It does, however, seem to have immediately provoked a piece of writing which is, in part, a commentary upon it; while still ill in Mexico, in March and April 1925—he was to write no other fiction at all for eight months—Lawrence began a story he called ‘The Flying Fish’, which he fe

起来了

https://doi.org/10.1007/978-94-009-6427-3been a school-teacher for a mother, he was himself a scholarship boy, encouraged to ‘get on’ in life and to free himself from the economic constrictions of his parents’ life; but he knew the life of the miner’s kitchen better than any other, and seemed to be, of Eastwood people, ‘bone of their bone’