Titlebook: D.H.Lawrence and the Idea of the Novel; John Worthen Book 1979 Palgrave Macmillan, a division of Macmillan Publishers Limited 1979 David H

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Women in Love,hed it during February and revised it from March till August. Its final social optimism is what Lawrence himself wished to communicate to the people of England in the summer of 1915. But by mid-October he had lost that optimism about the future of society; his magazine The . had failed to capture an

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任意

,Aaron’s Rod, the English Midlands, via London, to Novara, Milan and Florence; its final action takes place, however, in the recesses of a soul. It moves from a conventional scene of settled married life to the brief amours of a smart metropolitan set; to upper-class living in gentility and wealth, and thence to

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The Plumed Serpent,r source of his income. So we find him in Australia during July 1922 writing to his American publisher Seltzer: ‘Depressing to have such petty sales always.—I must come to America & try & do a novel there, that’s all’ (18 vii 1922). By 1922 he had suspected for years that his publishing future, so f

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Lawrence, England and the Novel,been a school-teacher for a mother, he was himself a scholarship boy, encouraged to ‘get on’ in life and to free himself from the economic constrictions of his parents’ life; but he knew the life of the miner’s kitchen better than any other, and seemed to be, of Eastwood people, ‘bone of their bone’

混沌

The Premises of an Uninterrupted Discoursea writer is a matter of choice, of situation, of need and compulsion, rather than of destiny. The psychology of a writer is only one element among many; his background, upbringing and early experience of the world can help us to understand those choices, such needs and compulsions.