Titlebook: Creative Simulations; George Mallen and th Catherine Mason Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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2195-9056 iod of computer art 1969 - 1975.Learn about Ecogame (1970), .This book is centred on the practitioner-led Computer Arts Society founded in 1969 and formed to address creative computation in all the arts – performance, poetry, text, sound, sculpture and graphics. The objectives and achievements of th

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Gleichungen aus Separationsansätzensystems thinking, to which Mallen brought his own unique contributions. The chapter prioritises design over other disciplines, reflecting not only the primary job that Mallen was employed to do at the RCA, but also his conviction that design presents special properties as a human—and perhaps machine—activity.

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,“The Name of the Game Is…? A Personal View of the Computer Arts Society’s Project”,s and computer graphics, in which he describes the conception, implementation and reception of ., (1970) an early interactive complex system referencing ecology and economics, in which he was involved.

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The Object is the Process: Computer Art Exhibitions of the 1970s in London and Edinburgh,. was created, culminating in the ground-breaking . in Edinburgh, 1973. These exhibitions, international in scope and attracting a wide variety of artist participants, demonstrate that CAS members were aware of the many possible roles of the computer in creative processes and considered how best to

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Art, Cybernetics and Social Intervention: An Interview Between Stephen Willats and George Mallen,discuss their shared interest in devising interactive systems, based on the science of cybernetics, that allow participants shared art experiences mediated through the system. This was art as a system involving feedback between machine and creator, creator and audience and audience and machine.

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