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Titlebook: Creative Simulations; George Mallen and th Catherine Mason Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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https://doi.org/10.1007/3-540-27564-9. was created, culminating in the ground-breaking . in Edinburgh, 1973. These exhibitions, international in scope and attracting a wide variety of artist participants, demonstrate that CAS members were aware of the many possible roles of the computer in creative processes and considered how best to
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https://doi.org/10.1007/3-540-27564-9discuss their shared interest in devising interactive systems, based on the science of cybernetics, that allow participants shared art experiences mediated through the system. This was art as a system involving feedback between machine and creator, creator and audience and audience and machine.
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