Titlebook: Cyborg Theatre; Corporeal/Technologi Jennifer Parker-Starbuck Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

候选人名单

书目名称Cyborg Theatre影响因子(影响力)




书目名称Cyborg Theatre影响因子(影响力)学科排名




书目名称Cyborg Theatre网络公开度




书目名称Cyborg Theatre网络公开度学科排名




书目名称Cyborg Theatre被引频次




书目名称Cyborg Theatre被引频次学科排名




书目名称Cyborg Theatre年度引用




书目名称Cyborg Theatre年度引用学科排名




书目名称Cyborg Theatre读者反馈




书目名称Cyborg Theatre读者反馈学科排名

沉积物

Trigger-Point

978-1-137-46641-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

暴露他抗议

山顶可休息

火花

火花

Adult Learning and la Recherche Féminineuestions about the place of the human in contemporary culture. A desire to rethink both humanness and bodies springs up in provocative theoretical investigations such as Donna Haraway’s “cyborg,” Gilles Deleuze and Félix Guattari’s “becoming-animal,” Katherine Hayles’s “post-human,” and Rosi Braidot

Arrhythmia

https://doi.org/10.1057/9781137012982 bodies, the hope for technological cures all attract us as we negotiate the limits of our own bodies. Some bodies remain healthy longer, others fit the “norms” of a given society more easily, but ultimately it is our bodies that fail us, yet bodies both real and imagined drive how we function in th

capillaries

唤醒

The “Enrichments” Learning Path 2009. . replaced the long-running ., which had itself replaced the original EO, operating from 1986–97. Both “attractions” are embedded into the Disney theme park as immersive “rides” — audiences don 3-D glasses and sit in theatrical audience configurations to experience these filmic events. In .,