Titlebook: Cyborg Theatre; Corporeal/Technologi Jennifer Parker-Starbuck Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

极力证明

The “Enrichments” Learning Path with “the machine.” Cyborgs are around us, in science and science fiction, in daily life. This relationship continues to be processual, technologies continue to move forward, assisting or, depending on your viewpoint, encroaching upon the human body. Technologies are more “subject” than ever before

Tartar

有组织

2947-5600 d, digitized, or mediatized, to re-imagine subjectivity for a post-human age. It covers a variety of examples, to propose new theoretical tools for understanding performance in our changing world.978-1-137-46641-9978-0-230-30652-3Series ISSN 2947-5600 Series E-ISSN 2947-5619

伪造

PET-scan

BACKspace: Historical/Theoretical Intersections,uestions about the place of the human in contemporary culture. A desire to rethink both humanness and bodies springs up in provocative theoretical investigations such as Donna Haraway’s “cyborg,” Gilles Deleuze and Félix Guattari’s “becoming-animal,” Katherine Hayles’s “post-human,” and Rosi Braidot

Dignant

,SHIFTing the Balance: “Abject” Bodies, bodies, the hope for technological cures all attract us as we negotiate the limits of our own bodies. Some bodies remain healthy longer, others fit the “norms” of a given society more easily, but ultimately it is our bodies that fail us, yet bodies both real and imagined drive how we function in th

chronology

Impugn

,ENTERing the View: Triangulating “Subject” Bodies, 2009. . replaced the long-running ., which had itself replaced the original EO, operating from 1986–97. Both “attractions” are embedded into the Disney theme park as immersive “rides” — audiences don 3-D glasses and sit in theatrical audience configurations to experience these filmic events. In .,

SHOCK

Conclusion: Remembering Bodies, Becoming-Cyborg, with “the machine.” Cyborgs are around us, in science and science fiction, in daily life. This relationship continues to be processual, technologies continue to move forward, assisting or, depending on your viewpoint, encroaching upon the human body. Technologies are more “subject” than ever before

corpus-callosum

Introduction: Why Cyborg Theatre,re, science, the military, and in daily life as a representation of the often tangled line between bodies and technology. Taken literally (as a visual or physical composite) — a body fixed in its co-mingling of parts, machine and flesh — the cyborg has been considered “monstrous” and is often a figu