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Titlebook: Cultural Studies of LEGO; More Than Just Brick Rebecca C. Hains,Sharon R. Mazzarella Book 2019 The Editor(s) (if applicable) and The Author

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楼主: ODDS
发表于 2025-3-23 10:23:48 | 显示全部楼层
,Conclusio: Weiter wachsen – aber richtig!, a space invasion plot that affords Emmet the role of a “white savior.” Both lines of discourses connect to an ontology of capitalism as envisaged in the first movie, negotiating the mirror fears of total order and total chaos by gendering and racializing and thereby externalizing the fear of excess, the accursed share (Bataille’s .).
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zation authors relates to the subject of these texts: namely, cute toys and their scaled-down adventures. In so doing, Goggin genders issues as they relate to novelizations and to women’s supposed role as nurturers.
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Methoden des gezielten Wertetrainings,in the franchise. She argues that the way LEGO adapts media texts allows . to playfully embrace a broad range of intertextual references from the parent franchise. She notes that the flexibility and playfulness that LEGO’s cinematic affords facilitated a complex engagement with Batman’s historical depictions of masculinity and queerness.
发表于 2025-3-24 06:05:27 | 显示全部楼层
Methoden des gezielten Wertetrainings,f universality that it formerly embraced. These dynamics reveal both how the licensing practices of media franchising can catalyze more diverse and inclusive cultural commodities and how that capacity for change gets incorporated within the design, product differentiation and branding strategies of construction play.
发表于 2025-3-24 08:04:35 | 显示全部楼层
LEGO from a unique angle of critical and cultural interrogat.This collection examines LEGO from an array of critical and cultural studies approaches, foregrounding the world-renowned brand‘s ideological power and influence. Given LEGO’s status as the world’s largest toy manufacturer and a transnatio
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Analyse des bestehenden Geschäftsmodellsthe religious studies field that discuss religion, spirituality and secularity; religion, narrative and media; and religion and play, Undheim finds that LEGO incorporates elements in their transmedia supersystems that reflect a contemporary, metamodern approach to religion.
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Analyse des bestehenden Geschäftsmodells: texts and paratexts, animation and films, toys and games, history and narrative merging across multiple continuities. This chapter thus highlights the interconnected nature of corporate production, media content creation and transmedia world-building in the contexts of character development.
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Die operative Geschäftstätigkeit im Auslandg dystopian resistance narratives, the film frames creativity as vision and critiques individualistic notions of creative freedom and control in favor of main character Emmet’s collective ethos. Despite this, the film problematically advances a consumerist ethics in which LEGO mediates this collectivist vision.
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