Titlebook: Cultural Industries and the Environmental Crisis; New Approaches for P Kate Oakley,Mark Banks Book 2020 Springer Nature Switzerland AG 2020

小臼

t creatives. Based on interviews in very different parts of the UK—from the hyper-gentrified inner city to rural areas and a de-industrialised town—the chapter looks at how places shapes understanding of what is possible in terms of creative work and at how it intersects with social class in shaping aspiration

BOGUS

slipped-disk

Muslims as the Internal and External Enemyriorities. It explores the possibility of more ecologically sustainable and ‘degrown’ creative economies of the future—forms of cultural production and cultural policy that take seriously ecological limits and tries to imagine sustainable creative economy futures.

preeclampsia

灰心丧气

indoctrinate

all spheres of private and public life. In other words, we might speak of a logic of extraction. With this in mind, the chapter acts as a first approach to the question: how do the cultural and creative industries mobilize and reproduce a logic of extraction? Taking Argentina as a focus and context

spinal-stenosis

redictably, the firm’s environmental record has been the subject of some debate. This chapter seeks to re-establish the material connections between firms offering e-commerce and cloud computing services and the physical world by reconsidering the ecological impacts of these business practices. Look

STALL

patella

Jieyu Liumpirical studies that provide enough insights to understand why culture matters for sustainability. By taking the case of De Ceuvel—a planned workplace for creative and social enterprises in a heavy polluted area in Amsterdam, this chapter aims at answering the question why do cultural and creative

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