Titlebook: Cultural Industries and the Environmental Crisis; New Approaches for P Kate Oakley,Mark Banks Book 2020 Springer Nature Switzerland AG 2020

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Creative Economy, Degrowth and Aesthetic Limitation,riorities. It explores the possibility of more ecologically sustainable and ‘degrown’ creative economies of the future—forms of cultural production and cultural policy that take seriously ecological limits and tries to imagine sustainable creative economy futures.

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Green Accounting for a Creative Economy, case of Eastman Kodak, a company whose failure was rooted in its contempt for the ecosystems it inhabited. Its disregard for the environment was key to its decision to place an all-or-nothing bet on its chemical businesses over its digital innovations. This example will frame the subsequent discuss

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Cultural Production Beyond Extraction? A First Approach to Extractivism and the Cultural and Creati all spheres of private and public life. In other words, we might speak of a logic of extraction. With this in mind, the chapter acts as a first approach to the question: how do the cultural and creative industries mobilize and reproduce a logic of extraction? Taking Argentina as a focus and context

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Towards a New Paradigm of the Creative City or the Same Devil in Disguise? Culture-led Urban (Re)dempirical studies that provide enough insights to understand why culture matters for sustainability. By taking the case of De Ceuvel—a planned workplace for creative and social enterprises in a heavy polluted area in Amsterdam, this chapter aims at answering the question why do cultural and creative

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,‘You’re Always On, and You’re Always Lively’: Young People and Creative Work,t creatives. Based on interviews in very different parts of the UK—from the hyper-gentrified inner city to rural areas and a de-industrialised town—the chapter looks at how places shapes understanding of what is possible in terms of creative work and at how it intersects with social class in shaping