Titlebook: Cult Film Stardom; Offbeat Attractions Kate Egan,Sarah Thomas Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

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A , Horror Star: Articulating the Extreme Authenticity of Ingrid Pittdios’ . (1970) and . (1971), Amicus studios’ . (1971) and Robin Hardy’s . (1973). However, since at least the early 1980s, she has been considered, by fans and critics, to be one of the most memorable actresses in British horror film history and has consistently been labelled a cult icon of British horror.

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ther film stars has rarely been addressed. This collection explores the processes through which film stars/actors become associated with the cult label, from Bill Murray to Ruth Gordon and Ingrid Pitt.978-1-349-33305-9978-1-137-29177-6

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Gordon Tinline,Nick Hayter,Kim Crowe guys were good and the chance that it might work […] I’ve taken these art movies, I call them, this last year or two, and they’ve been fun.’ To the . he insisted, ‘I realized, after movies like ., that I shouldn’t give up even if the movie didn’t have a ride at Disney World. I realized I don’t need a blockbuster audience’ (Hirschberg 1999).

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dios’ . (1970) and . (1971), Amicus studios’ . (1971) and Robin Hardy’s . (1973). However, since at least the early 1980s, she has been considered, by fans and critics, to be one of the most memorable actresses in British horror film history and has consistently been labelled a cult icon of British horror.

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Conflagration

‘Marginal moments of spectacle’: Character Actors, Cult Stardom and Hollywood Cinemamphasized the loss of his supposed anonymity to audiences through noted roles in . (1984), . (1985) and . (1986) and through the circulation of other extratextual knowledge such as friendships with established stars, which raised his public profile. Unacknowledged by the author was the parallel role