Titlebook: Cult Film Stardom; Offbeat Attractions Kate Egan,Sarah Thomas Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

CULT

书目名称Cult Film Stardom影响因子(影响力)




书目名称Cult Film Stardom影响因子(影响力)学科排名




书目名称Cult Film Stardom网络公开度




书目名称Cult Film Stardom网络公开度学科排名




书目名称Cult Film Stardom被引频次




书目名称Cult Film Stardom被引频次学科排名




书目名称Cult Film Stardom年度引用




书目名称Cult Film Stardom年度引用学科排名




书目名称Cult Film Stardom读者反馈




书目名称Cult Film Stardom读者反馈学科排名

柳树；枯黄

Prisoner of Cool: Chloë Sevigny, Alternative Stardom and Image Managementwith independent cinema ‘are not as widely known as blockbuster stars, then distinctions need to be drawn between “popular” stars and “cult” stars’ (1998: 199). While Sevigny has appeared in a few Hollywood movies, the majority of her acting appearances have been within independent films, in both lo

大笑

Defraud

泥瓦匠

Geyser

Damaged Beauty: Montgomery Clift, Tragedy and the Redefinition of a Star Imageone of a number of cinematic instances ‘where film exploits the decay of celebrity players’, making use of the physical evidence of a star’s biography and deterioration in its depiction of character and narrative (Naremore 1988: 20). Clift’s damaged appearance in his post-crash films becomes a consi

Geyser

Forever ,: Sylvia Kristel and Soft-Core Cult Stardomriomphe cinema on the Champ-Elysées, one of the most prestigious avenues in Paris, where it would remain for thirteen years with English subtitles and an enormous billboard featuring a provocative Kristel sitting topless in a cane chair staring at the camera. . was such a social phenomenon at the ti

手术刀

Well-Being and Employee Engagementlities of those ‘stars’ who appear in such texts (whether, as J. P. Telotte argues (1991), they are conventionally considered as mainstream or marginal films). But the term is also employed away from canonical cult texts to describe other atypical performers who nevertheless have a presence within m

失望昨天

invade