Titlebook: Creole Testimonies; Slave Narratives fro Nicole N. Aljoe Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 discourse.fra

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书目名称Creole Testimonies影响因子(影响力)




书目名称Creole Testimonies影响因子(影响力)学科排名




书目名称Creole Testimonies网络公开度




书目名称Creole Testimonies网络公开度学科排名




书目名称Creole Testimonies被引频次




书目名称Creole Testimonies被引频次学科排名




书目名称Creole Testimonies年度引用




书目名称Creole Testimonies年度引用学科排名




书目名称Creole Testimonies读者反馈




书目名称Creole Testimonies读者反馈学科排名

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The Forms of Creole Testimony: A Poetics of Fragmentation,, dust, and a possibly decomposing slave body in the lake—and the more ephemeral ancestral memories of loss and rage at past oppression. Both the physical and ephemeral traces are given equal weight in the poem and echo the closing lines’ assertions that England, as Albion, was also once a fragmente

aplomb

The Creole Voices of West Indian Slave Narratives, history with enslaved West Indians. Thus, the voice of Burning Spear in 1981 is presented as incorporating other voices from past history. This multiplicity is enhanced by the fact that the name Burning Spear refers to both the singular musician, whose given name is Winston Rodney, and the band. Th

Redundant

Scleroderma

Zombie Testimony: Creole Religious Discourse in West Indian Slave Narratives,ed in a box of miscellaneous papers in a room in the Bodleian Library (Handler 1998: 132). Indeed, Ashy’s narrative offers compelling testimony of the imbrication of Judeo-Christian and West African spiritual discourses common in the wider Caribbean in which a “cacophony of practices and traditions

grudging

Conclusion,’ve been arguing that taken together these narratives communicate a Caribbean slave narrative tradition. This tradition manifests itself most explicitly in a pervasive multiplicity of voices and forms. And while the Caribbean slave narrative tradition might not have been a totally conscious one duri

grudging

The New Urban Atlantichttp://image.papertrans.cn/c/image/239674.jpg

BOAST

Die Kehrseite des Verbraucherschutzes,elonged to their white ancestors. While the physical structure of the great house remains, only “faint gullies” mark the presence of the slaves. Cues such as the quaint images of the Victorian families on the wallpaper and the modern family on the poster announcing the imminent arrival of condominiu

Tortuous

恶心

Doris Ohnesorge,Rudolf Engelbert Fitz history with enslaved West Indians. Thus, the voice of Burning Spear in 1981 is presented as incorporating other voices from past history. This multiplicity is enhanced by the fact that the name Burning Spear refers to both the singular musician, whose given name is Winston Rodney, and the band. Th