找回密码
 To register

QQ登录

只需一步,快速开始

扫一扫,访问微社区

Titlebook: Craziness and Carnival in Neo-Noir Chinese Cinema; Harry H. Kuoshu Book 2021 The Editor(s) (if applicable) and The Author(s), under exclus

[复制链接]
查看: 46863|回复: 36
发表于 2025-3-21 19:16:37 | 显示全部楼层 |阅读模式
书目名称Craziness and Carnival in Neo-Noir Chinese Cinema
编辑Harry H. Kuoshu
视频video
概述Considers the cultural implications of the popularity of low-budget film Crazy Stone.Offers an interdisciplinary approach to analysis of contemporary Chinese cinema.Provides a nuanced genre study of C
丛书名称Chinese Literature and Culture in the World
图书封面Titlebook: Craziness and Carnival in Neo-Noir Chinese Cinema;  Harry H. Kuoshu Book 2021 The Editor(s) (if applicable) and The Author(s), under exclus
描述.Craziness and Carnival in Neo-Noir Chinese Cinema. offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, .Crazy Stone.. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global .neo noir. maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of .neo noir.. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for .neo noir. as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre..
出版日期Book 2021
关键词neo-noir; contemporary Chinese cinema; postmodernism; carnival; Chinese film culture; post-socialism; Chin
版次1
doihttps://doi.org/10.1007/978-3-030-73081-9
isbn_ebook978-3-030-73081-9Series ISSN 2945-7254 Series E-ISSN 2945-7262
issn_series 2945-7254
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

书目名称Craziness and Carnival in Neo-Noir Chinese Cinema影响因子(影响力)




书目名称Craziness and Carnival in Neo-Noir Chinese Cinema影响因子(影响力)学科排名




书目名称Craziness and Carnival in Neo-Noir Chinese Cinema网络公开度




书目名称Craziness and Carnival in Neo-Noir Chinese Cinema网络公开度学科排名




书目名称Craziness and Carnival in Neo-Noir Chinese Cinema被引频次




书目名称Craziness and Carnival in Neo-Noir Chinese Cinema被引频次学科排名




书目名称Craziness and Carnival in Neo-Noir Chinese Cinema年度引用




书目名称Craziness and Carnival in Neo-Noir Chinese Cinema年度引用学科排名




书目名称Craziness and Carnival in Neo-Noir Chinese Cinema读者反馈




书目名称Craziness and Carnival in Neo-Noir Chinese Cinema读者反馈学科排名




单选投票, 共有 0 人参与投票
 

0票 0%

Perfect with Aesthetics

 

0票 0%

Better Implies Difficulty

 

0票 0%

Good and Satisfactory

 

0票 0%

Adverse Performance

 

0票 0%

Disdainful Garbage

您所在的用户组没有投票权限
发表于 2025-3-21 22:21:32 | 显示全部楼层
发表于 2025-3-22 01:06:13 | 显示全部楼层
Datenmodell eines WMS am Beispiel myWMS,ses are like a pond, fertile and ready to spread the ripples caused by the casting in of this peculiar stone. In light of this metaphor, this chapter draws a road map of discourses in topics of postmodernism, grassroots, carnival, and . (mischievous parody).
发表于 2025-3-22 07:28:18 | 显示全部楼层
发表于 2025-3-22 11:08:47 | 显示全部楼层
发表于 2025-3-22 13:01:32 | 显示全部楼层
发表于 2025-3-22 18:17:10 | 显示全部楼层
Introduction: , Phenomenon and Chinese Neo-noir Comedies,of today’s film production, criticism, and reception. The study argues that the . phenomenon is part of the global neo-noir, which is an important topic in film and cultural studies scholarship that has for long missed the China component.
发表于 2025-3-22 22:59:22 | 显示全部楼层
Films: Because of ,ing which allows more freedom for the stories to be funnier and storytelling more game-like, just like the surprises found in a masquerade. This encounter also includes a Chinese director’s adaptation of the Coen brothers’ neo-noir debut
发表于 2025-3-23 04:51:13 | 显示全部楼层
Dual Retrieval of Cinematic Craziness: A Coda,enate. The second retrieval leads one to see how Ning Hao works on his story and script, how he retains his earlier “low-budget” styles of craziness in this expensive film, how he emphasizes his film being “postmodern,” and how the monkey image becomes important in his filmmaking.
发表于 2025-3-23 07:51:52 | 显示全部楼层
,The Calderón Reproducing Formula III,with the current neo-noir episode of Chinese cinema. The contemporary call for ., the meaning of modernism then, the impact of Herbert Marcuse and Milan Kundera, and these films’ resemblance to traditional film noir are investigated to inform the discussion.
 关于派博传思  派博传思旗下网站  友情链接
派博传思介绍 公司地理位置 论文服务流程 影响因子官网 SITEMAP 大讲堂 北京大学 Oxford Uni. Harvard Uni.
发展历史沿革 期刊点评 投稿经验总结 SCIENCEGARD IMPACTFACTOR 派博系数 清华大学 Yale Uni. Stanford Uni.
|Archiver|手机版|小黑屋| 派博传思国际 ( 京公网安备110108008328) GMT+8, 2025-7-5 15:21
Copyright © 2001-2015 派博传思   京公网安备110108008328 版权所有 All rights reserved
快速回复 返回顶部 返回列表