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派博传思国际中心 »期刊书目

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› BOOKS with Alphabet C (Ca, Cb,Cc, Cd, Ce…... )

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Titlebook: Craziness and Carnival in Neo-Noir Chinese Cinema; Harry H. Kuoshu Book 2021 The Editor(s) (if applicable) and The Author(s), under exclus

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发表于 2025-3-21 19:16:37 | 显示全部楼层 |阅读模式
书目名称Craziness and Carnival in Neo-Noir Chinese Cinema
编辑Harry H. Kuoshu
视频videohttp://file.papertrans.cn/240/239328/239328.mp4
概述Considers the cultural implications of the popularity of low-budget film Crazy Stone.Offers an interdisciplinary approach to analysis of contemporary Chinese cinema.Provides a nuanced genre study of C
丛书名称Chinese Literature and Culture in the World
图书封面Titlebook: Craziness and Carnival in Neo-Noir Chinese Cinema; Harry H. Kuoshu Book 2021 The Editor(s) (if applicable) and The Author(s), under exclus
描述.Craziness and Carnival in Neo-Noir Chinese Cinema. offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, .Crazy Stone.. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global .neo noir. maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of .neo noir.. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for .neo noir. as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre..
出版日期Book 2021
关键词neo-noir; contemporary Chinese cinema; postmodernism; carnival; Chinese film culture; post-socialism; Chin
版次1
doihttps://doi.org/10.1007/978-3-030-73081-9
isbn_ebook978-3-030-73081-9Series ISSN 2945-7254 Series E-ISSN 2945-7262
issn_series 2945-7254
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Datenmodell eines WMS am Beispiel myWMS,ses are like a pond, fertile and ready to spread the ripples caused by the casting in of this peculiar stone. In light of this metaphor, this chapter draws a road map of discourses in topics of postmodernism, grassroots, carnival, and . (mischievous parody).
Isolate
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任命
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议程
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Parabola
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发表于 2025-3-22 18:17:10 | 显示全部楼层
Introduction: , Phenomenon and Chinese Neo-noir Comedies,of today’s film production, criticism, and reception. The study argues that the . phenomenon is part of the global neo-noir, which is an important topic in film and cultural studies scholarship that has for long missed the China component.
Parabola
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发表于 2025-3-22 22:59:22 | 显示全部楼层
Films: Because of ,ing which allows more freedom for the stories to be funnier and storytelling more game-like, just like the surprises found in a masquerade. This encounter also includes a Chinese director’s adaptation of the Coen brothers’ neo-noir debut
Crayon
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发表于 2025-3-23 04:51:13 | 显示全部楼层
Dual Retrieval of Cinematic Craziness: A Coda,enate. The second retrieval leads one to see how Ning Hao works on his story and script, how he retains his earlier “low-budget” styles of craziness in this expensive film, how he emphasizes his film being “postmodern,” and how the monkey image becomes important in his filmmaking.
造反,叛乱
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发表于 2025-3-23 07:51:52 | 显示全部楼层
,The Calderón Reproducing Formula III,with the current neo-noir episode of Chinese cinema. The contemporary call for ., the meaning of modernism then, the impact of Herbert Marcuse and Milan Kundera, and these films’ resemblance to traditional film noir are investigated to inform the discussion.
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