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Titlebook: Craziness and Carnival in Neo-Noir Chinese Cinema; Harry H. Kuoshu Book 2021 The Editor(s) (if applicable) and The Author(s), under exclus

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,The Calderón Reproducing Formula III,s and jeers, instead of joking parodies bouncing in the wide expanse of either the cyber-connected world or what Desser calls “cinephilia” (the intertextual chain of filmic references, borrowings, and re-workings), and instead of a carnival revelry, the craziness showcased then was more like a morbi
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The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Chinese Literature and Culture in the Worldhttp://image.papertrans.cn/c/image/239328.jpg
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https://doi.org/10.1007/978-3-030-34592-1uality of published accounting information by mitigating earnings management behavior via accruals and real activities manipulation. This argument is corroborated after performing several sensitivity tests relating to the estimation of discretionary accruals, the functional form of the models and other robustness tests.
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