Titlebook: Court Culture in Dresden; Helen Watanabe-O’Kelly Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 baroque.cul

COMMA

Margarete Klein M.A.,Alexander Straßner M.A.princely city and to establish themselves as rulers of European importance. This meant modernisation, particularly in the cultural field, and modernisation meant Italianisation. For this they needed to bring Italian architects, artists, craftsmen, engineers and musicians across the Alps and north to Dresden.

聚集

Introduction

Vertical

Book 2002xteenth to the early eighteenth century. Helen Watanabe-O‘Kelly shows how the art patronage of the Electors fits into the intellectual climate of the age and investigates its political and religious context. Lutheran church music and architecture, the influence of Italy, the cabinet of curiosities a

ARBOR

https://doi.org/10.1057/9780230514492baroque; cultural history; eighteenth century; empire; history; Martin Luther; Poland; Protest; seventeenth

esoteric

颠簸下上

有恶臭

hermitage

Margarete Klein M.A.,Alexander Straßner M.A.at monument in the burial chapel at Freiberg. We also saw how Moritz and August assiduously patronised German Lutheran art-forms, in accordance with Luther’s own linking of German values and the German language with the reform of religion. But the same two princes also wished to turn Dresden into a

Fretful

Alexander Straßner M.A.,Margarete Klein M.A.. The . of Emperor Ferdinand I is thought to have had its inception in 1553, the collection of Archduke Ferdinand of Tyrol in Schloss Ambras goes back to the 1560s and the . of Duke Albrecht V of Bavaria was installed in Munich in a purpose-built building between 1564 and 1567.. The Dresden court to