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Titlebook: Court Culture in Dresden; Helen Watanabe-O’Kelly Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 baroque.cul

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发表于 2025-3-21 19:17:08 | 显示全部楼层 |阅读模式
书目名称Court Culture in Dresden
编辑Helen Watanabe-O’Kelly
视频video
图书封面Titlebook: Court Culture in Dresden;  Helen Watanabe-O’Kelly Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 baroque.cul
描述This is the first cultural history of Baroque Dresden, the capital of Saxony and the most important Protestant territory in the Empire from the mid-sixteenth to the early eighteenth century. Helen Watanabe-O‘Kelly shows how the art patronage of the Electors fits into the intellectual climate of the age and investigates its political and religious context. Lutheran church music and architecture, the influence of Italy, the cabinet of curiosities and the culture of collecting, alchemy, mining and early technology, official image-making and court theatre are some of the wealth of colourful subjects dealt with during the period 1553 to 1733.
出版日期Book 2002
关键词baroque; cultural history; eighteenth century; empire; history; Martin Luther; Poland; Protest; seventeenth
版次1
doihttps://doi.org/10.1057/9780230514492
isbn_softcover978-1-349-43068-0
isbn_ebook978-0-230-51449-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2002
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Alexander Straßner M.A.,Margarete Klein M.A. to the 1560s and the . of Duke Albrecht V of Bavaria was installed in Munich in a purpose-built building between 1564 and 1567.. The Dresden court took part in this trend, the . there being founded, if we are to believe Tobias Beutel, its custodian of more than a century later, in 1560 by Elector August..
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Gibt es einen Weltwohlfahrtsstaat?,V (1668–1694), died in July 1694 of smallpox contracted from his mistress Magdalena Sibylla von Neitschütz (1675–94). He had reigned for only two and a half years and had no heir by his wife Eleonore of Saxony-Eisenach (1662–96), the widowed Margravine of Brandenburg-Ansbach.
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,The ‘Recreation of the Spirit’: Theatre at the Dresden Court during the Seventeenth Century,ed by Johann Georg II in the elaboration of his personal iconography. This chapter considers three types of theatre which were foreign imports — the theatre of the strolling players, the . and the opera.
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Book 2002age and investigates its political and religious context. Lutheran church music and architecture, the influence of Italy, the cabinet of curiosities and the culture of collecting, alchemy, mining and early technology, official image-making and court theatre are some of the wealth of colourful subjects dealt with during the period 1553 to 1733.
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