Titlebook: Contemporary Arts as Political Practice in Singapore; Wernmei Yong Ade,Lim Lee Ching Book 2016 The Editor(s) (if applicable) and The Autho

摸索

进入

Untersuchungen in der Leinengarnbleicheormation of a cohesive local identity impacted a series of portraits they made in Tiong Bahru, a rapidly gentrifying neighborhood of historical significance to postcolonial Singapore. Part of a larger body of images, the Tiong Bahru Series photographs capture the people who dwell within this shiftin

健壮

Untersuchungen industrieller Gasbrennerced a constant struggle to survive under the pressures of time, space and money. In 2015, part of The Substation’s archive was transferred to the National Library Board for safekeeping. In the process of interviews and reviewing the materials, it became clear that the physical archive is an incomple

acquisition

Brain-Waves

http://image.papertrans.cn/c/image/236360.jpg

肉体

hermitage

Mendicant

Introduction, conceived by philosopher Jacques Ranciere. For Ranciere, politics takes place along an axis of a distribution of the sensible: what can or cannot be seen, what can or cannot be heard, what can or cannot be said. When the terms of the system become fixed, a police order is established, whereupon pol

Fortuitous

Waxing on Wagers,isk-taking, risk-making—a wager. Fernando’s creative critical piece scrutinises the relationality of the phenomenon of waxing—paying attention to its normalising function, particularly its extension as performance on parts of the body usually considered private. He takes the equation further by cons

watertight,

Loo Zihan and the Body Confessional,of the confessional body, a body “laid bare in all its obscured dimensions, operat[ing] as a nexus of intersecting strands: of material and social taboos, trauma and amnesia, abjection and repressed histories” (Ho). Loo’s recent work is read within its specific socio-historical moment: if it indeed