| 书目名称 | Contemporary Arts as Political Practice in Singapore |
| 编辑 | Wernmei Yong Ade,Lim Lee Ching |
| 视频video | http://file.papertrans.cn/237/236360/236360.mp4 |
| 概述 | Critically examines, with specific examples, art as political practice in Singapore..Addresses the interplay between politics and the arts through a wide range of artistic representations which includ |
| 图书封面 |  |
| 描述 | This timely collection examines the contemporary arts as political practice, offering critical insight into some of the more controversial talking points that have shaped Singapore’s identity as a nation. Focusing on the role played by contemporary arts in shaping Singapore’s political landscape as the country celebrated 50 years of independence in 2015, the authors consider how politics is often perceived as that which limits the flourishing of the arts. Contending that all art is political, and that all art form is a form of political practice, this collection examines ways in which the practice of art in Singapore redraws the boundaries that conventionally separate arts from politics. It critically examines the tenuous relationship between the arts and politics and offers a timely reevaluation of the relationship between the arts and politics. In doing so, it opens a dialogue between artistic practice and political practice that reinforces the mutuality of both, rather than their exclusivity, and redefines the concept of the political to demonstrate that political involvement is not a simple matter of partisan politics, but has an inherently aesthetic dimension, and aesthetics a |
| 出版日期 | Book 2016 |
| 关键词 | Lee Kuan Yew; Contemporary arts; Political Singapore; Arts and politics; Political prerogatives |
| 版次 | 1 |
| doi | https://doi.org/10.1057/978-1-137-57344-5 |
| isbn_softcover | 978-1-349-72051-4 |
| isbn_ebook | 978-1-137-57344-5 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
|Archiver|手机版|小黑屋|
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