Titlebook: Contemporary Arts as Political Practice in Singapore; Wernmei Yong Ade,Lim Lee Ching Book 2016 The Editor(s) (if applicable) and The Autho

逗它小傻瓜

天真

The Substation at 25: On Institutional Memory and Forgetting,s many self-reflections on its own place in history have not been preserved, and these energies have dissipated over time. Beginning with a study of The Substation’s archive, and touching on other contemporary art archive projects such as the Independent Art and Resource Centre and Singapore Art Arc

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Contemporary Arts as Political Practice in Singapore

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Contemporary Arts as Political Practice in Singapore978-1-137-57344-5

FLUSH

n their exclusivity, and redefines the concept of the political to demonstrate that political involvement is not a simple matter of partisan politics, but has an inherently aesthetic dimension, and aesthetics a978-1-349-72051-4978-1-137-57344-5

致命

libertine

patriot

Loo Zihan and the Body Confessional,emonially soiled—the non-compliant body articulates a resistance to the impositions of state and society. Loo enacts a denial of performative reiterations of power, repudiating the required corporeal manifestations of the citizen-subject.

neurologist

HARD