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Titlebook: Contemporary American Crime Fiction; Hans Bertens,Theo D’haen Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 200

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书目名称Contemporary American Crime Fiction
编辑Hans Bertens,Theo D’haen
视频videohttp://file.papertrans.cn/237/236341/236341.mp4
丛书名称Crime Files
图书封面Titlebook: Contemporary American Crime Fiction;  Hans Bertens,Theo D’haen Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 200
描述This highly accessible, lively and informative study gives a clear and comprehensive overview of recent trends in American crime fiction. Building on a discussion of the immediate predecessors, Bertens and D‘haen focus on the work of popular and award-winning authors of the last fifteen years. Particular attention is given to writers who have reworked established conventions and explored new directions, especially women and those from ethnic minorities.
出版日期Book 2001
关键词access; America; authenticity; building; English; fiction; media; tradition; women; writing
版次1
doihttps://doi.org/10.1057/9780230508316
isbn_softcover978-0-333-68465-8
isbn_ebook978-0-230-50831-6Series ISSN 2947-8340 Series E-ISSN 2947-8359
issn_series 2947-8340
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2001
The information of publication is updating

书目名称Contemporary American Crime Fiction影响因子(影响力)




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https://doi.org/10.1007/978-3-663-00177-5nt past with the present. While the other chapters will examine truly contemporary crime writing, that is, crime writing of the 1990s, these first two chapters will make a modest attempt to chart the passage from the great renaissance of crime writing of the 1970s and 1980s to where we are now. The
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https://doi.org/10.1007/978-3-663-00212-3, Joe Gores (1931), Robert B. Parker (1932), Donald Westlake (1933), Stuart Kaminsky (1934), Joseph Wambaugh (1937), and Lawrence Block (1938), continued to produce good and at times award-winning work throughout the 1990s. In this chapter we will pay particular attention to the work of Parker, Kami
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Betriebliche Kreislaufwirtschaft,ce the early 1980s — witness the fact that excellent PI writers keep on emerging — crime fiction in which the female protagonist works within, rather than outside, the perimeters of institutional law enforcement has for female crime writers become a viable alternative to the PI novel. That instituti
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https://doi.org/10.1007/978-3-663-01195-8cBain’s immensely popular 87th Precinct series (1956 to the present day) to James Lee Burke’s, James Ellroy’s, and Michael Connelly’s highly acclaimed novels of the 1980s and 1990s. Of these last three, it is undoubtedly Ellroy who has taken this particular genre furthest in the direction of social
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