Titlebook: Contemporary American Crime Fiction; Hans Bertens,Theo D’haen Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 200

协议

https://doi.org/10.1007/978-3-663-01281-8see now, however, James’s mysteries developed into complex meditations on deception, guilt, and retribution — occasionally at the expense of their mystery element — while Dalgliesh became more enigmatic and reminded us less and less of his Golden Age precursors.

STALL

指耕作

Ein experimentelles Unternehmungsspielg. A number of them, like Chris Wiltz’s Neal Rafferty, who debuted in 1981, are still around, but there are few recent additions. For my purposes in this concluding chapter, the most interesting of these newcomers is S.J. Rozan’s prosaically named Bill Smith.

侧面左右

,Los Angeles Police Department: Ellroy’s and Connelly’s Police Procedurals, genre by his innovative, and socially explosive, treatment of the police procedural, Connelly basically regrounds the same genre in the classical private eye tradition, and he does so largely by ‘shadowing’ Ellroy’s work.

冷峻

,The ‘English Tradition’ in Contemporary American Crime Fiction,see now, however, James’s mysteries developed into complex meditations on deception, guilt, and retribution — occasionally at the expense of their mystery element — while Dalgliesh became more enigmatic and reminded us less and less of his Golden Age precursors.

Ophthalmoscope

Lacunar-Stroke

WAX

Overdose

2947-8340 ars. Particular attention is given to writers who have reworked established conventions and explored new directions, especially women and those from ethnic minorities.978-0-333-68465-8978-0-230-50831-6Series ISSN 2947-8340 Series E-ISSN 2947-8359

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