Titlebook: Conrad and the Paradox of Plot; Stephen K. Land Book 1984 Stephen K. Land 1984 fiction.history of literature.literature.nineteenth century

staging

Provenance

The End of the Tether full-blown narrative structure. The new hero, Captain Whalley, like Wait, Kurtz and Jim, is a remarkable man concealing a guilty secret for reasons which are largely honourable, and like them he finds himself drawn into a false situation where the combined machinations of a rival and an agent of ne

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and the Short Stories of 1904–7mitment to either side in a dualistic conflict, builds himself a high reputation with both, as a result of which he is forced ironically into a compromising action, which in turn results in the death of another party. The two latter stories have the further complication that the person sacrificed to

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and ediate predecessor, namely, a political theme which is larger than the career of the individual hero, a strong and significant part for the heroine, a tendency to place characters in pairs of opposites, and heavy reliance upon extended dialogues in the form of set pieces or interviews as a means of

Cryptic

and the Short Stories of 1910–11hase, seeks noninvolvement in the conflicts of life, but one who does so selflessly and harmlessly by simply withdrawing into isolation. There are no victims to this neutrality, no Decouds, Haldins, Teresas, or elderly widows. On the contrary, the new heroes, far from sacrificing others to their nee

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