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Titlebook: Conrad and the Paradox of Plot; Stephen K. Land Book 1984 Stephen K. Land 1984 fiction.history of literature.literature.nineteenth century

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楼主: 宗派
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Assembling the Planetary Computermething of a comparable tension between Lena and Heyst in ., the main theme here is not Heyst’s match with Lena but his withdrawal from the world, his compromise, and the retribution. Anthony’s personal compromise is almost overshadowed by the career of Flora, but with . we return to an unambiguous
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Nostromoflections of the paradoxical universe. Their stories are built around themselves, men of exceptional status but who, rather like the heroes of Sophoclean tragedy, fall foul of fate in trying to live up to their full potential.
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and the Short Stories of 1912–14mething of a comparable tension between Lena and Heyst in ., the main theme here is not Heyst’s match with Lena but his withdrawal from the world, his compromise, and the retribution. Anthony’s personal compromise is almost overshadowed by the career of Flora, but with . we return to an unambiguous
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Introductiontual interrelations and interactions of character types. This is not to say that Conrad continually rewrote the same story, or that he failed to develop over the thirty years of his career as a novelist; on the contrary, working with the structural framework he set up, Conrad was constantly experime
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Almayer’s Folly Wagner’s work, may well have been influenced by it when undertaking his first substantial work of fiction, although it would be a complicated matter to argue this in detail. It remains possible, for instance, that Wagner’s actual influence on Conrad was at second hand, through the French ., or that
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An Outcast of the Islandsfigure of a white man joined to a native woman in the isolation of the jungle. There can be no doubt that the author was conservatively reworking the material of his first novel, taking as he did so several significant steps towards the burst of mature writing that was to begin with . in 1896.
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The Nigger of the ‘Narcissus’ne the less, relative to the rest of the Conrad canon, very much an introductory, experimental production. ., although somewhat longer, was scarcely more than one year in the writing and bears the marks, in its structural anomalies, of being a less certain, more tentative piece. In these two novels,
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