书目名称 | Collective Participation and Audience Engagement in Rap Music |
编辑 | David Diallo |
视频video | http://file.papertrans.cn/230/229587/229587.mp4 |
概述 | Focuses primarily on the dialogical quality of rap’s intertextual lyrics and approaches emceeing as a performance-based expressive form.Examines the aesthetic development of the verbal aspects of rap |
丛书名称 | Pop Music, Culture and Identity |
图书封面 |  |
描述 | Why do rap MCs present their studio recorded lyrics as “live and direct”? Why do they so insistently define abilities or actions, theirs or someone else’s, against a pre-existing signifier? This book. .examines the compositional practice of rap lyricists and offers compelling answers to these questions. Through a 40 year-span analysis of the music, it argues that whether through the privileging of chanted call-and-response phrases or through rhetorical strategies meant to assist in getting one’s listening audience open, the focus of the first rap MCs on community building and successful performer-audience cooperation has remained prevalent on rap records with lyrics and production techniques encouraging the listener to become physically and emotionally involved in recorded performances. Relating rap’s rhetorical strategy of posing inferences through intertextuality to early call-and-response routines and crowd-controlling techniques, this study emphasizes how the dynamic and collective elements from the stage performances and battles of the formative years of rap have remained relevant in the creative process behind this music. It contends that the customary use of identifiable ref |
出版日期 | Book 2019 |
关键词 | Rap music; Audience participation; Collective participation; Audience engagement; Sugarhill gang; composi |
版次 | 1 |
doi | https://doi.org/10.1007/978-3-030-25377-6 |
isbn_ebook | 978-3-030-25377-6Series ISSN 2634-6613 Series E-ISSN 2634-6621 |
issn_series | 2634-6613 |
copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |