Titlebook: Collective Participation and Audience Engagement in Rap Music; David Diallo Book 2019 The Editor(s) (if applicable) and The Author(s), und

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,“Coming to You Live and Direct!”: Performing Liveness and Immediacy on Record,rmances and provides insight into the creative process of their lyrics. To bolster the argument of rap lyrics as a “mediated-live” conversation, it surveys a corpus of over 350 relevant songs from 1978 to 2010.

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Rap Music and Singing Along to the N-word,mer/audience relationship. Crowd involvement and cooperation being instrumental to creating and building intensity and unity, can the rap performance still work as a cooperative venture with non-black fans singing black rappers’ unaltered lyrics?

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,Discussing Collective Participation and Audience Engagement with Sugarhill Gang’s Master Gee, that creates a situation. And it’s what it’s always been. It’s been a call-and-response, an answer, because you connect with the audience, it’s a connection. You’ve got to make a connection with the crowd. That’s what every MC’s goal is. To connect with the crowd.

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Pop Music, Culture and Identityhttp://image.papertrans.cn/c/image/229587.jpg

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https://doi.org/10.1007/978-3-030-25377-6Rap music; Audience participation; Collective participation; Audience engagement; Sugarhill gang; composi

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