Titlebook: Coleridge‘s Dejection Ode; J.C.C. Mays Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Natu

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J.C.C. MaysReevaluates the position of Wordsworth in “Dejection: An Ode” and its political statement.Clarifies Coleridge’s concepts of “imagination” and “dejection”.Examines the second half of Coleridge’s career

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Nineteenth-Century Major Lives and Lettershttp://image.papertrans.cn/c/image/229330.jpg

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https://doi.org/10.1007/978-3-030-04131-1Samuel Taylor Coleridge; William Wordsworth; nineteenth-century literature; Romanticism; Romantic poet; D

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The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Service Productivity Managementdes. At the same time, while the writing reaches after detachment, it has by definition, as poetry, also to please; and the two-fold commitment—to understanding and to feeling—determines the course of the argument that follows. This is outlined as it proceeds chapter by chapter, and touches on the d

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Service Productivity Managementeteenth century, it was seen as Coleridge’s sad farewell to poetry. At the end of the century and during the earlier part of the twentieth, it provided a reference point for interpreting Coleridge’s ideas of beauty and the Imagination. In the later part of the twentieth century, following the discov

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Applying DEA to Health Care Organizations,evealing, they should be understood as separate: both editorially and in terms of literary ambition. The Ode began as an oral composition of highly wrought stanzas and groups of stanzas that stalled: viz. failed to come together as a whole. The Letter incorporated them into a reckless, muddled confe

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Government Productivity Management,ral years of experimentation. The lines of varying length fit an elaborate rhyming pattern that unfolds with appropriate variations through each stanza and the aid of a multi-hinged, predominantly appositive syntax. The resulting movement communicates a subtle and distinctive blend of shades of feel