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Titlebook: Coleridge‘s Dejection Ode; J.C.C. Mays Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Natu

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发表于 2025-3-21 17:54:29 | 显示全部楼层 |阅读模式
书目名称Coleridge‘s Dejection Ode
编辑J.C.C. Mays
视频video
概述Reevaluates the position of Wordsworth in “Dejection: An Ode” and its political statement.Clarifies Coleridge’s concepts of “imagination” and “dejection”.Examines the second half of Coleridge’s career
丛书名称Nineteenth-Century Major Lives and Letters
图书封面Titlebook: Coleridge‘s Dejection Ode;  J.C.C. Mays Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Natu
描述.Coleridge‘s Dejection Ode. completes J.C.C. Mays’ analysis of Coleridge’s poetry, following .Coleridge’s Ancient Mariner. (Palgrave 2016) and .Coleridge’s Experimental Poetics. (Palgrave 2013). "Dejection: An Ode" stands alone in Coleridge‘s oeuvre: written at a time of personal crisis, it reaches far back and deeply into his thinking in an attempt to find a poematic solution to ideas and problems he had mulled over for a long time. Mays reveals how the poem also marks the opening of the second half of Coleridge‘s career as both poet and thinker. In three central chapters Mays examines the new style that evolved in the process of writing the Ode: the technical means of metrics, rhyme and grammar; language and allusion; and symbol and structure. He recounts the complex, sometimes controversial critical history of the Ode, and suggests an editorial solution to the problem created by the Letter to Sara Hutchinson; re-evaluates the position of Wordsworth in the poem apropos the political statement it makes; clarifies the distinction between the views on Imagination expressed and those contained in .Biographia Literaria.; and traces the links of the concept "dejection" as it underpins
出版日期Book 2019
关键词Samuel Taylor Coleridge; William Wordsworth; nineteenth-century literature; Romanticism; Romantic poet; D
版次1
doihttps://doi.org/10.1007/978-3-030-04131-1
isbn_ebook978-3-030-04131-1Series ISSN 2691-1256 Series E-ISSN 2634-5218
issn_series 2691-1256
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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发表于 2025-3-21 23:31:54 | 显示全部楼层
How We Got Where We Are as We Cease to Be There,eteenth century, it was seen as Coleridge’s sad farewell to poetry. At the end of the century and during the earlier part of the twentieth, it provided a reference point for interpreting Coleridge’s ideas of beauty and the Imagination. In the later part of the twentieth century, following the discov
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Editorial Excursion,evealing, they should be understood as separate: both editorially and in terms of literary ambition. The Ode began as an oral composition of highly wrought stanzas and groups of stanzas that stalled: viz. failed to come together as a whole. The Letter incorporated them into a reckless, muddled confe
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Language and Allusion,t are not always obvious. The meaning of a word often depends on its etymology and changing history; at other times, it changes as it is heard in a different context. The practice sometimes consolidates meaning, at other times appears to destabilise it, and at all times requires close attention. The
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Beyond the Poem,s within a broader frame of reference. Dejection Ode is taken as the central text of a poet-philosopher (as distinct from philosophic poet) for the manner in which it applies the resources of verse to the process of conceptual understanding. Such an enterprise positions Coleridge obliquely to the ma
发表于 2025-3-23 08:56:52 | 显示全部楼层
2691-1256 d “dejection”.Examines the second half of Coleridge’s career.Coleridge‘s Dejection Ode. completes J.C.C. Mays’ analysis of Coleridge’s poetry, following .Coleridge’s Ancient Mariner. (Palgrave 2016) and .Coleridge’s Experimental Poetics. (Palgrave 2013). "Dejection: An Ode" stands alone in Coleridge
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