Titlebook: Classical Music and Opera During and After the COVID-19 Pandemic; Empirical Research o Steffen Lepa,Ruth Müller-Lindenberg,Hauke Egermann B

毗邻

Muthu Ramachandran,Zaigham Mahmood the rehearsal procedures but also the staging itself. During the staging of an adaptation of Gioachino Rossini’s . in October 2020 by the University of British Columbia Opera program, which is described here as an example, rather than having 65 singers on stage, as previously planned, staging was a

Bricklayer

semble

Muhammad Aufeef Chauhan,Christian W. Probstxperience for patrons, sponsors, media representatives, and—of course—the audience. Artistic directors play a particularly important role in festivals, as their reputation significantly contributes to the event’s standing in the international festival scene and they make crucial decisions regarding

印第安人

Muhammad Aufeef Chauhan,Christian W. Probstnitiative ., evoke new hopes for gaining new and younger audience segments. In my study, I conducted seven in-depth interviews with . recipients from Germany, the UK, Ireland, and the USA and analyzed statements on their experiences with streaming opera by employing qualitative content analysis. The

Ergots

Muhammad Aufeef Chauhan,Christian W. Probst streams of Western classical music in ecologically valid settings. Based on an online survey, a latent profile analysis identified three different audience segments of classical concert streams. These are differentiated by different preferences for stream characteristics. In a subsequent experiment

Incompetent

https://doi.org/10.1007/978-3-030-83549-1f the post-pandemic classical concert audience in the German capital. Specifically, it determines typical media usage patterns employed for listening to classical music in the every day, with the surprising finding that a third of the audience rarely ever listens to classical music in such contexts.

MAPLE

https://doi.org/10.1007/978-3-030-83549-1 At the beginning of the pandemic, they served as chief dramaturgs: MF at the . and UL at the .. On May 16th, 2022, during a time when lockdowns and most pandemic measures had already been released in Germany, they agreed to a half-hour online meeting and talked with Ruth Müller-Lindenberg (RML) abo

Genome

ANN

Saline

https://doi.org/10.1007/978-3-031-42975-0COVID-19 Pandemic; Digital Transformation; Experimental Concert Research; Music Business; Opera Manageme