Titlebook: Classical Music and Opera During and After the COVID-19 Pandemic; Empirical Research o Steffen Lepa,Ruth Müller-Lindenberg,Hauke Egermann B

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书目名称Classical Music and Opera During and After the COVID-19 Pandemic影响因子(影响力)




书目名称Classical Music and Opera During and After the COVID-19 Pandemic影响因子(影响力)学科排名




书目名称Classical Music and Opera During and After the COVID-19 Pandemic网络公开度




书目名称Classical Music and Opera During and After the COVID-19 Pandemic网络公开度学科排名




书目名称Classical Music and Opera During and After the COVID-19 Pandemic被引频次




书目名称Classical Music and Opera During and After the COVID-19 Pandemic被引频次学科排名




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书目名称Classical Music and Opera During and After the COVID-19 Pandemic年度引用学科排名




书目名称Classical Music and Opera During and After the COVID-19 Pandemic读者反馈




书目名称Classical Music and Opera During and After the COVID-19 Pandemic读者反馈学科排名

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Muhammad Aufeef Chauhan,Christian W. Probstd with a confusing myriad of strict security precautions, cancellations, and digital alternatives. From the point of view of strategic communications theory, festival operations have been in a permanent communications crisis for more than a year and, in many cases, the driving force (and figurehead)

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Muhammad Aufeef Chauhan,Christian W. Probstent new reception styles. These include interactive forms such as commenting simultaneously—either online or offline—on what is happening on stage with other users. However, generally, the interviewees tend to experience an opera stream as less emotionally intense compared to a live opera visit. In

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开始发作

https://doi.org/10.1007/978-3-030-83549-1ies but also stimulated usage in new segments of the classical concert audience (especially “digital natives”, women and higher-educated), thereby reducing priorly existing inequalities in digital cultural participation. Furthermore, results also show that any fears of concert streams becoming a sub

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The Pandemic as a Peephole into the Ongoing Digital Transformation of Opera,rate that from an artistic perspective, skepticism against digital formats is still very prevalent, while responsible managers also see the necessity to further improve the digital portfolio of their houses. On the other hand, some of the interviewees feel that their institutions are not sufficientl

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The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication,d with a confusing myriad of strict security precautions, cancellations, and digital alternatives. From the point of view of strategic communications theory, festival operations have been in a permanent communications crisis for more than a year and, in many cases, the driving force (and figurehead)