Titlebook: Classical Music and Opera During and After the COVID-19 Pandemic; Empirical Research o Steffen Lepa,Ruth Müller-Lindenberg,Hauke Egermann B

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Streaming Opera: Compromise Solution or Future-Oriented Reception Form?,ent new reception styles. These include interactive forms such as commenting simultaneously—either online or offline—on what is happening on stage with other users. However, generally, the interviewees tend to experience an opera stream as less emotionally intense compared to a live opera visit. In

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VEST

Did Lockdowns Stimulate Digital Cultural Participation? Mapping the Post-pandemic Berlin Classical ies but also stimulated usage in new segments of the classical concert audience (especially “digital natives”, women and higher-educated), thereby reducing priorly existing inequalities in digital cultural participation. Furthermore, results also show that any fears of concert streams becoming a sub

克制

营养

潜移默化

道学气

Combining Two Different Worlds: A Post-pandemic Interview with the Dramaturgs Dr. Merle Fahrholz anost pandemic measures had already been released in Germany, they agreed to a half-hour online meeting and talked with Ruth Müller-Lindenberg (RML) about their experiences with the digitization of opera since the beginning of the pandemic, and about the learnings they drew from the pandemic times for the future of opera.

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avarice

Muthu Ramachandran,Zaigham Mahmoodtrainees’ heart rate variability during opera performance. Together, the chapter provides a snapshot of the possibilities and constraints of opera training and research on opera training under lockdown measures.

浮雕宝石

Opera (Training (Research)) During Lockdown,trainees’ heart rate variability during opera performance. Together, the chapter provides a snapshot of the possibilities and constraints of opera training and research on opera training under lockdown measures.